SEASCAPE "... consider a wave ..."
"Seascape"
is an essay in words and music about the relationships between an artist and
his subject (the sea), and between the sea and a community which is dependent
upon it both for its living and recreation.
Bob Devereux's colourful and vivid text explores these relationships in
three distinct sections. The first is a
dialogue between the artist and the sea - the artist concerned with the sea as
a kaleidoscope of changing shapes and colours, without reference to its
influence on man. The sea replies in the
second section with a description of its role as a source of recreation for the
population of a coastal town, especially for its children. The final section shows the power which the
sea exerts over a fishing community, and the terrible toll it demands in terms
of human life.
These
three sections are closely mirrored in the musical structure, in a continuous
arch-like form which begins and ends in darkness, with off-stage trumpet and
horn calls. The slow atmospheric opening
which leads to an agitated baritone solo, is balanced at the end by a fast
section for both soloists, followed by a slow lament for all the forces. In between the choir has an altogether more
relaxed and gentle passage describing the children playing at the water's edge.
"Seascape" was commissioned by Brian
Smart to celebrate the centenary in 1981 of the birth of his father, the
Cornish artist Borlase Smart. Borlase
Smart was a distinguished painter of seascapes, and the author of an important
book on seascape painting. He lived for
much of his life in St. Ives, Cornwall, and played a major role in building the
fame of the art colony there.
"Seascape"
is scored for Reciter, Soprano and Baritone soloists, Chorus and Brass Quintet,
and was given its first performance in the St. Ives September Festival in 1981.
© Christopher Brown 1990